Chinese title: 冠軍歌王
Release date in Malaysia: August 1st 2013
Language: Mandarin, Cantonese, Hokkien, Malay, Manglish
Distributor / studio: Prodigee Media
Genre: Comedy, family
Running Time: 96 minutes
Director & co-writer: Namewee
Cast: Namewee, Frankie Gao, Ng Man Tat, Iris Woo, Ribbon Ooi, Tiger Huang
Synopsis: ‘Kara King’ was a champion singer in Hong Kong until his wife mysteriously disappeared. Heart-broken and blaming himself for the lost, he turned his back on his singing career and moved to a small town in Malaysia to focus on looking after of his two children. Without knowing the truth, his son (T-bone) grew up hating ‘Kara King’ for breaking up their family, as a young rebel, he soon learn to channel his hatred and anger towards his father through rock music. One day, a foreign stranger comes to their village with the news of their mother…
Verdict: Although Kara King is not as messy as his previous film, Hantu Gangster (2012), it’s still not as well thought out and executed as his first one, Nasi Lemak 2.0 (2011). It felt that part of Namewee’s intention was to educate the viewers about the true spirit and meaning of rock but failed to convey it rightfully and perhaps even affirm haters instead. Heavy influences from Stephen Chow are, again, noticeable, making the storyline very familiar. But all of that wouldn’t matter if it’s funny enough… and it’s not. I think even the senior citizens may find that the humour here is too slapstick to appreciate (and no, it’s not the “mou lei tao” type of slapstick). Even Ng Man Tat’s presence couldn’t help much. Namewee’s “Tokok” webseries are way more enjoyable simple ’cause only without restriction can allow him to truly shine.
Second opinion: “Liked the idea but Namewee failed to bring it all together properly; the film seems incomplete and it’s not as funny as his previous movies but the songs are good” (girlfriend).
Rating: 1 / 5
[SPOILER SECTION BEGINS HERE]——————————————————————————————–
Wrong interpretation of rock: In movie, rockers are portrayed as a bunch of useless idiots who vandalise, steal ice creams from kids, steal stuffs from helpless shops, steal utilities, play loud music that annoys people, not caring for their parents, consume drugs and like to drop their pants on stage. There’s no real followup to correct all of that besides the video tape scene that’s so not sufficient. It’s maybe funny to people who knows rock, but those who don’t may start to have a bad impression on rock. I don’t believe Namewee was trying to criticise rock or anything like that but thanks to this movie, at least one more person would probably stereotype rockers now.
Possible plot holes [updated]: The Kara King (Ng Man Tat) was doing well by just participating in singing competitions in Hong Kong but after his wife (Tiger Huang) left him, he not only quit singing but left his comfortable home to come to Malaysia and lived a more difficult life with his two children selling pork in a small town just because he thought that this would allow the wife to go on chasing her dreams. He could’ve continued his career to provide a better life for his kids but chose to have them suffer with him instead… I know he did that for the wife but still, realistically, it’s irrational. They could’ve just sat down and talked about it. His son (Namewee) grew up hating him ’cause he thought he allowed the mother to leave the family but after finding out the truth through the song his father wrote, he easily reconciles with both the parents in the end. But shouldn’t he be pissed off with his father for choosing this path for all of them without consent? And shouldn’t the mother be pissed off with the father for taking away their children for 20 years? Maybe I didn’t understand the language well enough to fully understand the story but one thing for sure, the jokes are cringeworthy.
The melody of the theme song… sounds a bit similar to Jay Chou’s “Ju Hua Tai” (Chrysanthemum Flower Bed). [Updated:] After hearing it again, it’s actually only the first line of the verse that reminds me of the Jay Chou song. Although both tracks probably share the same chord progression, they’re actually very different songs and I like them both equally (although I’m not really a Jay Chou fan).
Favourite scene: The scenes with Ribbon Ooi sucking lollipops and having her mouth wide opened.
Iris Woo: I’ve no idea who she’s supposed to be in the movie ’cause I don’t recall it being explained at all. Her role is dialogue-less and follows Namewee’s character around like a ghost and most of the time she’s just standing straight in the background without any movement. I’m seriously curious what all that is about. Again, maybe I didn’t get it due to my poor literacy in Mandarin but I’m pretty sure it’s not explained in the film. As you can see in the image below (taken from her Facebook Page), she’s quite a hottie and no movie director in the right mind would waste her like this. Some scenes must have been removed, I’m guessing.
I’m not kidding, Namewee is way more entertaining on his YouTube videos: